AUGMENTED REALITY

ABOUT


I am a visual artist who has exhibited and created murals across North America, South America, and Europe. My work with prominent brands like Hershey's, Disney, Vans, Warner Music, Netflix, Adidas, NFL, and NBA, along with various cultural organizations and NGOs, has allowed me to bring my unique vision to diverse audiences.As a pioneer in integrating augmented reality into my art, I aim to blur the lines between the digital and analog worlds, crafting immersive stories that can be discovered in another dimension. My work explores the balance of dualities in our reality: logic and intuition, the tangible and the unseen, the geometric and the organic. These contrasts find harmony within my abstract and realistic landscapes, where lines meet curves, and cold tones blend with warm hues.Through my art, I seek to interpret and capture the essence of environments using color, shapes, and textures, revealing energies that are invisible to the naked eye. My creations invite viewers to look beyond the surface and explore the depths of both their inner world and the world around them.

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SOLO EXHIBITIONS

BETWEEN SHADOWS AND STARS. Mexico City. 06/2024
90º FAST GALLERY. Mexico City. 03/2016.
REALIDADES OCULTAS. Bálsamo Gallery. Mexico City. 08/2014.


COLLECTIVE EXHIBITIONS

TOPO CHICO FRIENDS. Mexico City. 09/2024
NEXT COMIC FESTIVAL. Linz, Austria. 07/2024
ANIMA. Oaxaca. 04/2023
COW PARADE. 08/2022
VODU. Mexico City. 03/2023
HER FOR SHE. Mexico City. 03/2022.
CURANDEROS. San Miguel de Allende. 12/2021.
BEYOND THE STAINS. Ministry of Economy. Mexico City. 01/2020.
INTERPRETATIONS. Peligro Gallery, Mexico City. 08/2019.
CHOCOLATE ART SHOW. Los Angeles, California. 02/2019.
JAGUARTE. Querétaro-Mexico City-Puebla. 06/2018.
BREATH MASKS. Franz Mayer Museum. Mexico City. 04/2018.
TENNIS PARADE. Reforma Avenue. Mexico City. 02/2018.
MEXICRANEOS. Reforma Avenue. Mexico City. 10/2017.
THE GHOST ARCADE. Antique Toy Museum. Mexico City. 08/2017.
THE ROAR OF THE LION. The Lion King The Musical. Mexico City. 07/2017.
INK AND PAPER ECHOES. Museum of the Island, Cozumel. 04/2017.
NBA BALL PARADE. Reforma Avenue. 01/2017.
NFL BALL PARADE. Reforma Avenue/SECTUR. 11/2016.
CONTRASTED DIMENSIONS. CEMUNART Tlalnepantla. 10/2016.
ETHOS FAIR. Collective Exhibition. Mexico City. 03/2016.
EXHIBITION/AUCTION MUSEO SOUMAYA. Mexico City. 12/2015.
TLATOA. State University of Mexico. 09/2015.
NONEXISTENT REALITY. Ágora Gallery. 04/2015.
BODY WORLDS NIGHTS. Universum Museum. 10/2013.


PUBLIC ART PROJECTS

START ART. Braga, Portugal. 04/2024
ROUTE OF COLORS. Xicotepec. 09/2023
ROUTE OF COLORS. Ixtapan de la Sal. 10/2022
TINUJEI ART. Puerto Escondido. 02/2022
VANS CHECKERBOARD DAY. Mexico City. 11/2021.
RESISTANCE FESTIVAL. Tunja, Colombia. 10/2021.
NETFLIX CAMPAIGN. Mexico City. 08/2021.
WALL X WALL. Atlacomulco 07/2020.
AMBARÓ FESTIVAL. Atlacomulco. 11/2019.
PIXATL. Atlacomulco. 09/2019.
PACHAMURALISTS. Mazamari, Peru. 08/2019.
WE ARE WALLS. El Oro. Mexico. 04/2019.
CORONA CAPITAL 2018. Mexico City. 11/2018.
WOMEN IN MOTION. Tultitlán. 11/ 2018.
QUIMERA FESTIVAL. Metepec. 09/2018.
SMART NEIGHBORHOOD. Smart City, Puebla. 08/2018.
INTERNATIONAL MURALISM MOVEMENT. Hidalgo. 07/2018.
A HAND FOR OAXACA. Ixtaltepec. 05/2018.
HYDROART. Mexico City. 03/2018.
BAKALARTE FESTIVAL. Bacalar. 02/2018.
LEGENDS OF ALTAMIRA. Monterrey. 12/2017.
ART FOR MY PEOPLE. Xul-ha. Quintana Roo. 10/ 2017.
MURAL CITY. Tuxtla Gutiérrez, Chiapas. 09/2017.
JAZZ FESTIVAL. Xalapa, Veracruz. 09/2017.
MURAL CITY. Saltillo. 04/2017.
LOVE FOR ART FESTIVAL. Playa del Carmen. 03/2017.
BLANK WALLS FESTIVAL. San Miguel de Allende. 01/2017.
ARTIZAPÁN. ITAM, Mexico City. 11/2016.
LOVE FOR ART FESTIVAL. Playa del Carmen. 02/2016.
CORONA CAPITAL. Mexico City. 11/2015.
PICNIC DAY PARTY. Mexico City. 11/2015.

UNMASKING MIRRORS


The masks we wear in society are constructed to help us blend in, to protect our vulnerabilities, or to manipulate the world around us. These representations invite us to consider the subtle ways in which we hide our true selves, layers upon layers concealing who we are beneath.
Recognizing these masks is the first step toward understanding ourselves, as only by removing them can we reach our authentic core, and free ourselves from the social conditioning that limits us.
By dismantling these emotional barriers, we open a path toward self-discovery, and awake to a deeper, truer understanding of who we are.

THE VOID CONSUMER

This mask seeks to fill an emotional void through material consumption. It represents a constant feeling of dissatisfaction, driving the user to acquire things in the belief that this will bring the fulfillment or happiness they crave, using material things to fill an inner emptiness that possessions alone cannot satisfy.

THE TOXIC POSITIVE

This mask is made by a denial of negative emotions. It reflects a persisted positivity, even when circumstances call for a different response. The user avoids confronting real problems, maintaining a bright facade of optimism that dismisses negative emotions. By creating an illusion that everything is always good, it prevents meaningful connections and personal growth, trapping the user wearer in a cycle of denial.

THE OPPRESSOR

This mask represents the need to control and dominate others to maintain power. It often comes from a larger system of oppression, where the user becomes part of a chain, perpetuating the same force and intimidation that once dominated them. The oppressor imposes their will, unable to show empathy or consider the needs of others, continuing the cycle of control and domination while using intimidation to maintain power and control.

THE VICTIM

This mask is created with a victim mentality, promoting a belief that the world is against the user, projecting pain or suffering as an excuse to avoid taking responsibility for its own life, instead relying on others to feel sympathy or take care of its well-being. By perpetuating this narrative, the user creates an identity rooted in helplessness, ultimately limiting growth and the possibility of reclaiming personal accountability.

THE STATUS SEEKER

Motivated by the desire for recognition, this mask reflects a constant pursuit of climbing the social ladder, where public image and apparent success are prioritized over true desires or values. The user is preoccupied by external views and opinions, and is always seeking validation and acceptance from others.

THE EMOTIONLESS SHIELD

Hiding all emotions, this mask serves as a protective barrier against vulnerability. It allows the user to avoid any form of emotional connection, preventing the risk of being hurt or judged. Behind this mask lies a projection of coldness or indifference, concealing the deeper feelings and fears that lie beneath the surface, ultimately isolating the user from authentic relationships and experiences.

THE TREND SHIFTER

The mask is worn by those who constantly change their personality or interests to adapt to the latest trends or societal expectations. In the pursuit of acceptance and validation, the user sacrifices their authenticity to fit into ever-changing standards. This mask creates difficulties in perceiving the true self, leading to entanglement in a cycle of continuous transformation that obscures authenticity behind a facade that conforms to external pressures.

THE ABUSIVE MANIPULATOR

Worn by those who emotionally manipulate and abuse others for personal gain, this mask operates by leading people toward what the user wants through deceit or coercion, often showing false kindness or interest while concealing selfish intentions. The user of this mask recreates a pattern of taking and draining others while using them as tools for the user’s benefit, all while hiding behind a facade of care or concern.

Playing with mirrors


Mirrors and reflections have an important role in “Unmasking Mirrors”, they add an interactive layer to the artwork that invites viewers to confront the characters as reflections of their own inner selves. Each mirror that’s part of the artwork acts as a portal, blending the viewer's real-time image with the characters, symbolizing the subtle ways we might use these masks in daily life. When viewers look into these mirrors, they see not only the character but also a glimpse of themselves, merging identity and reflection, and making the artwork deeply personal and introspective.